26 April 2007

Hot Fuzz


Hot Fuzz

After convulsing with laughter during Shaun of the Dead, and pretty much anytime anyone referred to a line from it, I had to go see this movie. Granted, there aren't any zombies and Simon Pegg doesn't play a slacker-turned-hero, but it is just as funny.

Written by Edgar Wright and Simon Pegg, the film starts with listing the numerous commendations in Nicholas Angel's (Simon Pegg) career as a policeman- no, police officer, with the Metropolitan Police in London. He's so good that his superiors (Martin Freeman, Steve Coogan and Bill Nighy) decide to send him to the tiny village of Sandford, where there's little crime (excluding the missing swan) and a high number of accidents. His first night in town finds Angel in the local pub drinking cranberry juice and arresting underage drinkers. He almost gets run over by a drunken lout (Nick Frost, Ed from Shaun of the Dead) who is revealed the next day to be the inspector's son. The majority of the characters in the movie are parodies of the type of people portrayed in Britcoms, or British movies that are meant to portray tiny villages as "quaint" and "colourful": the stumbling cop, the sleazy town merchant, etc. The plot basically revolves around the "accidental" deaths of two of the town's inhabitants, who are decapitated after their horrifying portrayal of the Romeo and Juliet movie on stage.

What Shaun of the Dead did to zombie movies, Hot Fuzz does to action. The most prominent references are to Point Break and Bad Boys II, two of possibly the worst action movies ever made. But the references are great, specifically because they take the mickey out of both films, and Danny (Nick Frost) ends up using one of the more hilarious scenes of Point Break at one point. Although it is a comedy, there are a lot of action sequences within the humour, including a long gunbattle, and a chase scene. Essentially, it boils down to a buddy cop comedy with some gore, some colorful characters and great scenes with Martin Freeman, Bill Nighy, Jim Broadbent, Timothy Dalton and Steve Merchant.

There was actually a point in the movie when the entire audience was laughing uncontrollably for about 10 minutes, it's that funny. So I'd recommend it. I mean, it's not going to make any Top 10 Greatest Films of All Time lists any time soon, but it's enjoyable, and hilarious... and that's all that really matters, right?

08 April 2007

DVD Review: Highlander

Amanda's been talking about this movie pretty much since the day I became friends with her (I should have realised this was a sign of things to come), so we finally rented it the other night. I actually told her I would start this review with "What. The. Fuck." Sorry Amanda, I figured I'd just mock you instead.

Really though. What the fuck? That's all I could say for the first 20 minutes or so of this movie. Wrestling? Swordfighting in a parking garage against some 50 year-old acrobat? Decapitation and lightning? EIGHTIES HAIR? oh God the humanity! I was confused when Christopher Lambert all of a sudden had flashbacks to a Braveheart-style battle while he was watching team wrestling inside Madison Square Garden(s?), but I guess I'd zone out too if I had to watch that.

The audience gets his backstory in a series of flashbacks where he's got long ratty hair and wears a kilt, all the while affecting a terrible Scottish accent. He's Connor McLeod! Proud member of the McLeod clan, defender of freedom, lover of some blond-haired wench, fighter of guys in skull-decorated armour... oh, plus he's immortal. Anyhoo, he gets thrown out by his village because they think he's a witch and he sets up camp elsewhere, manages to find another blonde-haired wench in the process. Sean Connery shows up... hilarity ensues... mainly because Christopher Lambert is an American playing a Scotsman who doesn't sound like a Scotsman, and Sean Connery is a Scotsman playing an Egyptian with a Spanish name who sounds like a Scotsman. He teaches Connor all about being immortal, even going to the lengths of pushing him into the lake, even though he can't swim, but obviously he can't die, so no harm, no foul. Connery blabbers on about not dying and the quickening and the gathering, but then the dude with the skull armour shows up and decapitates him, cause apparently that's an immortal's only weakness. Strangely enough, decapitating a mortal only makes them stronger......

In modern times, Connor's changed his name to something Nash (not Pluto) so people don't know that he's like 400 years old, and he crosses paths with a woman who is investigating the death of the acrobat guy he decapitated in the beginning. She has fairly terrible eighties hair, belts her shirts and thinks that hiding a gun in a set of drawers in plain sight is terribly sneaky. Regardless, they have a fairly graphic sex scene, in front of a picture window looking out on the entire city no less, and then he has to go fight the skull-armour dude so that the gathering can happen.

Seriously, this movie is hilarious. It is one of the most unintentionally funny movies I have ever seen (Doom will always be number one though). From Lambert's hard-to-place accent, to Sean Connery playing a guy named Juan Sanchez Villa-Lobos Ramirez, to the over-usage of lightning effects and the phrase "There can be only one!", do I really need to explain the utter mockability of this movie?

Just a sidenote: This movie somehow managed to get a 71% fresh rating on Rotten Tomatoes. How in the hell did that happen?

Grindhouse

I don't know what preceeded any of the other showings, but our theatre played the fake trailer for Hobo with a Shotgun, which was actually directed by a guy from Dartmouth and filmed in and around the HRM. That second-long clip of the hobo running along a submarine was filmed on the waterfront. It pretty much just shows this hobo who wants to get out of the hobo life, but while he's gazing longingly through a store window, he sees some kids getting rustled up by some bad guys, so he buys a shotgun and causes some shit. Rodriguez's own trailer for Machete absolutely killed me though. Everyone in the theatre loved it! Here's a taste: "You've fucked with the wrong Mexican".



Planet Terror:

Robert Rodriguez's segment of the movie stars Freddy Rodriguez (no relation), Rose McGowan, Josh Brolin, Marley Shelton, Bruce Willis, Naveen Andrews, Michael Biehn and a whole lot of ugly guys and gals.

Opening with a go-go dancer named Cherry (Rose McGowan), who quits as soon as she's finished her dance, the story pretty much follows her, as she heads down the highway, goes to a BBQ restaurant, only to run into her old boyfriend Wray (Freddy Rodriguez), who gives her a ride. While they're getting reacquainted, Naveen Andrews and his posse (including Bruce Willis) accidentally-on-purpose release a chemical into the air that makes anyone who comes in contact with it (or the bodily fluids of anyone infected) turn into a bubbling blood-exploding mess that likes to eat humans. This little situation ends up fucking over our not-so-favourite recent solo star Fergie Ferg, whose brain ends up being eaten... I hope it was Fergilicious boys.

Cherry and Wray are in his towtruck talking about romantic things, like roadkill, and how people 'in these parts' eat roadkill, because when you see a deer in 'these parts' you can't swerve or else you're dead, so you just have to kill the deer. Wray suddenly sees something in front of them, and swerves, resulting in them crashing. While they're hanging upside down in the truck, Cherry says my favourite line in the entire movie: "I thought you said you weren't supposed to FUCKING SWERVE". She gets dragged out by the crazies, who tear off her leg.

Anyway, I don't want to ruin it for people. But let me just warn you, it's pretty damn gross. I'm talking about exploding pustules on people's tongues, melting genitalia, a plastic bag full of testicles... you get the picture. It's still great. It's all worth it in the end. And the film itself, I mean the process and everything, is great. There's a scene interrupted by the film literally melting and then a sign comes up saying "Missing Reel - we apologise for any inconvenience - Mgmt.". Awesome. Oh, and I'm sorry, but Michael Biehn was just plain fantastic.

In between the two films were some fake trailers by other famous directors. Werewolf Women of the SS by Rob Zombie, Don't by Edgar Wright (which was definately my favourite after Hobo and Machete) and Eli Roth's Thanksgiving which was just plain disgusting.

Death Proof:

Tarantino's film stars Kurt Russell as an aging stuntman named, fittingly, Stuntman Mike. But the movie opens with three girls (Sydney Tamiia Poitier, Jordan Ladd and Vanessa Ferlito) cruising around in their car, listening to music and figuring out: a)where they're going to score some weed and b) what their plans are for that evening. They end up in a divey bar where they dance, and drink and flirt with some guys before the camera floats over to Stuntman Mike, who's eating nachos like it's nobody's business before Pam (Rose McGowan) asks if she can get a ride home later. His car has a white skull painted on the hood and a duck hood ornament... what a chick magnet. After he explains that the car is "death proof", hence the title, she gets into the passenger seat, only to be told once they're on their way that "This car is 100% death proof, only to get the benefit of it honey, you really need to be sitting in my seat" before he slams on the brakes and she flies forward. He then kills the three girls from the beginning of the movie by slamming into their car at a ridiculously high speed.

A year later, he's at it again, targeting four girls in Tennessee (Rosario Dawson, Tracie Thoms, Mary Elizabeth Winstead and Zoe Bell), three of which decide that playing 'ship's mast' on an old Dodge Challenger is a super-fantastic idea. Needless to say, Stuntman Mike crosses paths with them and hijinks ensue.

Both films were fantastic in their own right. Planet Terror was more bloody and definately more campy, but it was still entertaining. The plot was thin as hell, but the effects were awesome... I mean, who doesn't love seeing a girl with a semi-automatic as a leg? Shooting bullets out of it?? Kick. Ass. Death Proof was a little more character-driven, allowing the audience to bond a little bit with the characters before they meet their fates. And the ending was just... sheer genius. I mean, the theatre audience actually cheered and yelled "yeeeeeeeeeeeeeeeeeeeaaaaaaah!!" when THE END showed up on screen.

DVD Review: Casino Royale

I'm not going to lie and say this was one of the worst movies I've ever seen... but I definately wasn't as entertained as I should have been, considering it's supposed to be one of the better Bond films of late. After the utter shit that was Die Another Day, I was really hesistant to go out and waste my money on this in the theatre... so I'm glad I waited until one of my friends rented it.

First of all, let me just get this out of the way: I have never, still don't and never will agree with the choice of Daniel Craig as James Bond. A) He's blonde, B) he's a beefcake and C) just... blech. Never in my mind will he stack up with Sean Connery, Pierce Brosnan, Timothy Dalton, Roger Moore and god help me, George Lazenby. I'm only expressing this so you understand how I felt going into this movie.

So it starts with... er... oh wait, I remember, in black and white, to which Maggie (who'd never seen a Bond film before) goes "is this whole goddamn movie in black and white? *sigh*", which was pretty funny. Anyway, so there's this dude, and he goes into his office, but of course Bond is sitting there being like "I'm a 00 agent now, so I'm going to shoot you in the head because I already killed your associate and it takes two kills to make me 007 and naner naner naner" etc etc. So I'm already bothered by the fact that Bond has mercilessly killed this guy in cold blood by drowning him in a bathroom sink because James Bond is supposed to be all quippy and dry wit when about to kill an enemy. But I digress...

Anyway, then there's some stuff in other places with guns and bad guys and chase scenes and people getting blown up, which is pretty typical of Bond movies... the good ones anyway. James Bond goes back to London, breaks into his boss' house, which she doesn't seem to perturbed about, and they decide he should go join a high-stakes poker game (or some other card game, who the fuck cares really) so that he can catch the bad guy. He meets a lady on the train, thinks she's pretty, makes some joke about her ass, or his ass, or something, I quickly make the call that she's either evil, or dead meat. Card game goes on, James Bond gets a drink (NOT a martini shaken not stirred). Blah blah blah... with most Bond films you can sum the plots up in about 5 seconds, and this one is no different. So I was a little thrown when along comes this 20 minute long sequence (could have been longer, or shorter, either way it felt like waaaaay too long) of Bond and the evil/dead girl being schmultzy. Gross.

I'm going to stop with the summary here, partly because I really don't remember a lot of the details and partly because I don't want to ruin the entire thing for those who haven't seen it yet. For those of you who *have* seen it, spare me the whole "but it's to explain WHY Bond is the way he is in the other movies" argument. I do. not. care. For that argument to hold up, this movie would have to take place in the past, not the present... frankly, I think the space-time continuim just got a little fucked up because of it. Isn't the world supposed to explode when that happens? I mean, how hard is it to base a movie about spies in the 1940s? You could have Bond fighting the Nazis! And he could earn his 00 status while retrieving ancient relics while his crotchety Scottish dad goes around and - oh wait.